![]() ![]() In this situation it's important to make things the way they hear them, not how you want them” – Jay Auborn (Musician, Producer and Creative Director of dBs Pro) ![]() When I’m undertaking other roles in the studio, where I’m not acting as producer, I’m more transparent and what I do is guided by the artist or their producer. As a producer, my personal interest comes much more to the forefront in terms of how I imagine things to sound. “There are two elements to my work which I’m jumping back and forth from all the time. At other times they can be involved in the recording, writing and mixing process. In some situations, the producer provides direction and creative input from a consultancy position. Other roles like that of a producer can be much more varied. They often work alone or with input from the producer of the project. Their day will mostly be filled with processing the recorded audio to craft a balanced mix. Mix engineers work to a similar timescale, starting at 10am and finishing at around 10pm. To ensure the quality of the recordings is at the standard required by the producer, the recording engineer spends their time operating a digital audio workstation (DAW), choosing the best microphones for each take and deciding what recording equipment to use to achieve the desired sound. ![]() The recording engineer will also be at the studio for the full session, as booked by the artist. Sessions require setup and pack down, which is usually done by the assistant engineer who will be on hand throughout the day, ready to help set up the appropriate microphones (alongside other duties) for recording different instruments. Recording sessions often involve 12-hour days starting at 10am but can sometimes start and finish later depending on the client. The audio recording industry is a client-driven sector, therefore working patterns can vary greatly depending on the size of the project, the type of project and profile of the client. Works with the artist(s) and other engineers to record, manage and produce a project and provide artistic direction and creative contribution, where appropriate. Responsible for managing the recording session, recording engineers choose the equipment to be used, decide on microphone type and placement and work with the artist and producer to ensure sound is captured in the correct way, at the correct level, using a digital audio workstation (DAW).Ī mix engineer processes and balances the recorded or synthesised audio and creates the final balanced mix of a project before it is sent to audio mastering. Duties range from making tea and coffee and hosting clients to setting up microphones, fixing and running cables, packing down and generally being on call to ensure a session runs smoothly. This role is centred on keeping the client(s) and main engineers happy. A studio engineer could comprise different distinct roles (listed below) or a mixture of responsibilities from each. They also work as collaborators writing and producing the music used by artists in their releases alongside helping them to record parts of the song. At times, they can be sonic designers creating an identity for a piece of music by using different recording techniques to process sound. Studio workers whose job title incorporates a producer role have a lot of artistic input when they work on a project. They can be responsible for mixing the audio so that the recordings can be transformed into a final product, like an album or single. Their role involves working with musicians in a studio, managing recording sessions and ensuring sound is captured at the desired quality. In some cases their roles can be quite niche and specific, in others they can span a range of duties.Ī studio engineer's responsibilities generally involve recording and processing audio so that it’s ready for commercial use or release. A studio engineer can take on a number of different roles depending on the size and type of facility they work in. ![]()
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